’13 Reasons Why’ Designer Reveals Detail We Missed About Liberty High — EXCLUSIVE

is one of the most popular testifies of 2017. And when testifies are this popular, devotee theoriescome in enormous supply.

* SPOILER ALERT* If you havent watched the series, turning around now.

There are so many fan hypothesis about y ,its candidly hard to keep track.

Theres the hypothesi that Hannahs story is over and we wont be seeing her in season two. Theres also the hypothesi that Tony doesnt actually subsist and is just an angel that stops in to aid Clay listen to the tapes. Sounds crazy, but also reverberates various kinds of legit.


With so many fan hypothesis, it seems like the sees left no stone unturned when it is necessary to reminders in the plot.

I had the opportunity to speak with the testifies make designer, Diane Lederman, and she says there are lots of minuscule items devotees missed.

A production decorators major responsibilities is to create the entire world of the display and build you believe its real, according to Lederman.


She spoke, When you get it right, beings dont notice. When you get it erroneous, they utterly do, representing the ogre is in the details, and every single act you encountered on the display whether it be the rocks in Jesss rock collection or the designs on the walls at Monets was carefully curated by Lederman and her team.

She spoke,

Production decorators are responsible for the entire appear of a display, whether its a film or its a TV series, or even something thats business, the make designer is responsible for what the colour of the show is going to look like in the broader sense.

In the most detailed sense, is result, picking sites, designing the layout of makes, working with the organize decorators, scenic artists, carpenters, the organize decorator, presenting everybody future directions of what their jobs are supposed to be. My job is the big vision that I download to them, in order to be allowed to in turn do their job.


She continued,

Selling reality is pretty much the largest part of my work. If beings dont believe the environmental issues, if beings dont believe what youre telling them, theyre not will now be able immerse themselves in the floor.

If makes dont appear real, its is gonna be very, very hard for beings to let go and time get into the reality of the story.

So yeah, if it werent for Lederman and her squad, you wouldnt have been able to come up with all of your hypothesis about the patch because you wouldve been too amused by the physicallook of the show.

Color participates a big role in this. It determines the colour of any display or movie, and it has the power to completely described the observer away from the patch if its not the right choice for the given circumstances.

And thats why, according to Lederman, everything at Liberty High was blue.


The lockers, the letterman skins, the walls in the gym, the cheerleading outfits, the locker apartment, Clays bedroom theyre all a canopy of off-color. And that pigment had a big representing throughout the part display, as it was meant to reflect the colour of everything that was going on.

That color is intended to reflect the lugubriou, the sadness, the depression, the dark undercurrent of whats going on inside the school, Lederman explains.

It was a very cool palette, as a general sense. Blue is not a pigment I often use. Certain canopies of off-color photo atrociously, specific canopies of off-color are beautiful when they get more into the blue/ white-haired. But I imagined off-color was a very, time because of the feeling goal of the pigment, was a good preference for this show.

And everything having to do with Liberty High was canopies of off-color, and everything having to do with Clay was canopies of blue.


Hannah and Jess weredifferent, nonetheless. And that was intentional, considering the fact that their narratives and what happens to them are the darkestout of any other attribute. Lederman spoke,

Hannahs palette was like lavenders and purples. Thats a pigment that provokes puzzle, and its a very feminine pigment, and it was just the excellent pigment for her scalp colour as well, so Hannahs world was all purple.

Very soft pinks were for Jessica, because she was, I dont want to say the princess, but she started off as the prissy attribute before she went dark. And I thought it would be very interesting to differentiate her behaviour and what happened to her as an adult with this very guileles bedroom and princess sort of bedroom that she had. So her shades were mainly pink for her room.

But as a general rule, we expended a very cool palette.


Colors are also used to reflect attribute improvement, Lederman clarifies. So the worse Hannahs mental health becomes, the darker her clothing. The same goes for Jess and Clay. Their robes get darker in each occurrence. Lederman spoke,

Making it real is whats important. A batch of[ minuscule items meant to reflect attribute improvement] goes unnoticed.

Jessicas rock collection that was discussed that was in her apartment, the stuffed swine were chosen in a very specific nature. In Hannahs room, all the proceeds on the wall were was just thinking about, sort of to wonder her feeling travel.

In Clays room, all the robots, all the science paraphernalia and astronomy advertisements were to sort of accentuate his somewhat geekiness at one point. All these things are chosen very carefully. And without those items and without trying to show the backstory of all these different reputations, makes dont feel real.

Although Hannah and Jesss robes changed as duration went on, their rooms didnt. And that was intentional, as well, according to Lederman.

She required the rooms to remain unchanged to showthat you would never expect such horrendous things to happen in such innocent-looking bedrooms. And thats precisely the spot: “youve never” expect such cruel things to happen in such safe-looking places.

The town appears safe, the school appears safe, the dwellings gaze safe, the bedrooms gaze safe, but time because something( or someone) seems fine doesnt mean they are.


And thats the whole spot of: Person might not look like theyre in pain, but that doesnt mean they arent. You have to look under the surface and not assume that everything is fine based on its impression. Lederman spoke,

For that matter, most people wouldnt dream this would happen to the average high school girl. And apparently this happens often enough.

And the whole spot of this display, the spot of this history, the spot of Jay Ashers point, is to bring these narratives into the public, or build people aware that these things happen.

And if it enlightens beings and maybe stops that from happening to one more being, then we were successful in what we did.

Theres a lot of controversy encircling the display because of its unapologetic show of current realities of crime and suicide. The main essay is that Hannahs tapes are mostly the ultimate retaliate suicide fantasy, uttering the display perilous for potentially suicidal sees to watch, especially those in high school.

Lederman addressed this quarrel with people saying,

I know theres a lot of quarrel about it, but I praise it because it conveys beings are talking about it and theyre talking about the subject matter. And thats truly whats important.

Nobody wants to talk about it. Nobody wants to deal with it, of course not. Particularly close by to where we kill, there was a town where, in the last three of four years, there were about six suicides, high school students. So it is important that people are talking about this.

has its own crisis site announced 13reasonswhy. info, where you can find help if you or someone you know is struggling with conceptions of suicide.

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